When I was pregnant with Kieran  and Princess Diana was expecting Harry, Nick’s brother’s wife’s sister, who was a journalist on Woman’s Own, phoned me to say the magazine was running a feature on fashion in pregnancy; they’d got a real model who was pregnant, but were looking for a pregnant “reader” with a child of about two. Would I be interested in going to London with Gemma for a photoshoot? It’s not the sort of offer that comes along twice in a lifetime, so I jumped at the chance.

My doctor suggested that, as Kieran was due only two weeks later, I shouldn’t do the double journey in one day and that I have someone with me to help look after Gemma, to which they agreed. Nick came with us as we took the train to London and were put up in a swanky hotel for the night, then the following day we went for the shoot.

It was an all female team, hairdresser, make up artist and photographer, who were all lovely and put me at my ease. They cut my hair, did my make up and chose suitable clothes from a huge selection lent to them by various fashion shops. We had a lovely day and got home exhausted that Friday evening. When Kieran arrived the following Monday, I received a huge bouquet of flowers from Woman’s Own.

It’s taken me a mere forty years, but, at last, in the week that marks Kieran’s 40th birthday, I’ve got round to having a print made and framing the photos Gemma and I modelled for, just days before Kieran was born.

In the original article there were photos of the professional model, too, but I used some of the prints I was given at the end of the shoot, to replace her pictures.

The printers have made a lovely job of it, even down to reproducing the pastel borders around each photo.

I brought it home and put it in the frame I had ready, then decided to take a photo of it. Easier said than done; no matter where I put it, there were always reflections.

I messaged my photographer brother for advice. “Black drape behind you and wear a black top” was his reply; I dug out all the black fabric I could find and taped it to the walls and doors, but there wasn’t enough, there were still reflections. A black tee shirt came in handy. Then I put on a black, long sleeved top, a black hat and black, fingerless cycling mitts. The corridor was now rather gloomy, so I added an extra light, covered in some net curtain fabric as a diffuser.

The whole place was beginning to look like a set for a Halloween play, but it worked – a reflection-free photo.